Video resident evil 6 full movie series#
The zombies featured in the Resident Evil series are human victims that have succumbed to the T-virus. 13 Merchandising outside of the video games.When the zombies do show up, they're terrifying, though even the monstrous "licker" proves a less iconic villain than a simple laser grid. There aren't even any zombies in "Resident Evil" until halfway through, as the film is far more concerned with slowly unlocking the mystery of the main characters' identities. To this, Anderson adds further exploration of moral questions surrounding quarantine procedures and artificial intelligence. What the games did contribute is far more important: Specifically, the idea of using zombies to explore the terror of biological weaponry and the self-destructive nature of corporate greed. Looking back, using almost nothing from the existing plot of the video games was probably the right call. A tense, disturbing horror film, it's anchored by a well-constructed script, solid performances from Jovovich and Rodriguez, and a score by Marilyn Manson.
Video resident evil 6 full movie movie#
(It's doubly weird, because Fehr and Epps both reprise their characters and run into Alice later in "Extinction," anyway.) This disconnect is highlighted by the fact that the sinister Umbrella scientist who deliberately lets Alice go in the final scene of "Apocalypse" is now suddenly desperate to get her back, and spends the whole third movie trying to do so.Ĭritics might prefer "The Final Chapter," but the highest audience score goes to the first "Resident Evil" movie. Still, it would be inaccurate to suggest that "Extinction" doesn't bear the seeds of the franchise's devolution: Like later "Resident Evil" films, it opens by completely blowing up the previous installment's status quo, depicting a solitary Alice navigating a post-apocalyptic wasteland even though we last saw her escaping an Umbrella facility with the help of her friends. That doesn't happen, but that's what it feels like will happen, and that's a positive. By the end of "Extinction," it feels like things have come to a logical climax, with a big payoff coming in the fourth film.
The first three movies in the "Resident Evil" franchise feel significantly more like a unified story than the last three. Plus, it manages to do this while also introducing compelling new characters like Oded Fehr's Carlos Oliveira. To be fair, this is a logical progression of previous events: "Resident Evil's" final scene suggests that a wider scope was always the plan, and "Apocalypse" does a good job of expanding on previous plot points, including Alice's fighting skills, Matt Addison's transformation into Nemesis, and the origins of the Red Queen. It also sacrifices the first film's claustrophobic feel for an open environment with higher stakes and bigger guns to match. "Apocalypse" takes a hard left turn into the action movie genre, cementing Alice's role as the franchise's butt-kicking heroine. "Resident Evil" is a densely-plotted survival film that makes effective use of the "protagonist with amnesia" trope while following the tried-and-true horror formula of whittling down a large group of people. The first "Resident Evil" sequel walks a fine line between linking up with the events of its predecessor and being nothing at all like it. We're also about to spoil the whole series, so if that bothers you, proceed with caution! The results are, we think, fairly representative of the franchise as a whole. We've averaged the critics' and audience score for every "Resident Evil" movie and used those numbers to rank them from worst to best. They are, in short, a collection of entertaining individual stories so different from one another that coming up with a set of criteria to compare them is an exercise in futility.Īnd so, we turn to Rotten Tomatoes. Anderson and Jovovich, who got married between the third and fourth films. Yet they also have the feel of a decade-spanning passion project between writer-director-producer Paul W.S.
With a half-dozen installments that feel increasingly disconnected from one another, these movies can, at their worst, appear to be a soulless attempt to squeeze as much money as possible from an intellectual property that's already past the sell-by date. Their star, Milla Jovovich, plays the same female protagonist in six straight movies, yet you'd never hold up "Resident Evil" as an example of outspoken or progressive filmmaking. How will history judge the "Resident Evil" films? What standards would you even use? They've made more at the box office than any other cinematic adaptation of a video game, yet they have almost nothing in common with the games they're based on.
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